Sur les Traces de Deadpool : Lieux de Tournage à Vancouver
A few months ago, I was wandering around record stores in London.
I've always loved the atmosphere. Looking at the designs, the colors, the typography, the artists...
There's more and more marketing around it. When you see that artists are making multiple album covers for the same content.
So, I wanted to learn about the stories behind the most famous album covers in London.
I wanted to go back to the footsteps of the most famous album covers in London. I chose a few that I wanted to reproduce.
it's quite surprising to see the changes over the years.
This is my first show shot with my friends. I was able to do it all myself.
From pre-production, to technical production and post-production.
Accompanied by two 3D artists (William FIORENTINI, Julie CHAPELLE) as well as a communication officer (Laura MASSOT) to talk in detail about the specificity of the profession and the memories/desires related to animated films.
So, would you still say that these films are made for children?
I make ITWs for preview releases in the UK or for an official visit by the writers, directors...
Here Cédric Klapisch and his choreographer Hofesh Schechter for his film RISE with English subtitles.
I had the opportunity to work-study a year at Splash. A project set up by Maxime Voisin and Hugo Travers from HugoDecrypte channel.
Loving to discover behind the scenes of companies and wanting to show our professions not highlighted enough (in my opinion), I therefore produced, while maintaining a telework, this video.
A crazy project, which ends on this video. More than 4000 users, an application released on the stores, a community behind it.
Type: StoryTelling
I made this clip entirely for a personal project.
The music was made by a musician.
Everything about video production was thought out and worked on by me.
For the first lockdown, I wanted to go back to the editing / and realization that I was doing at the very beginning.
Every day I was filming and editing.
Every day, I shared a little video on my social media.
Directed, edited and published nightly over 30 days.
Like a Vlog, this video is a best of, of this 30 days.
So I had fun gathering during this second confinement, all the best moments of these vlogs.
I had the honour to work on the set of the clip"We were young" by Petit Biscuit as a technician assistant.
Assembly and dismantling of technical equipment
(Appear in the making of)